The absurdity of life, existential questions: ‘Forced Fun For The Just OK Life Fun,’ the debut album by Mighty Jupiter & The Mooncake Band


Sometimes, to truly understand a musical album you need to step back a little and imagine you’re talking about something entirely different, for example, an ancient garden. Picture this: its paths meander through dense thickets, leading at times to an open clearing where order and symmetry reign, and at other times disappearing into wild, secluded corners. Here, seemingly incompatible plants meet: delicate roses side by side with harsh, thorny shrubs, and somewhere in the shadows lurks an unexpected burst of exotic flora.
The same can be said for the debut album ‘Forced Fun For The Just OK Life Fun by Mighty Jupiter & The Mooncake Band (MJ&TMB). By blending the atmospheric nature of baroque pop with raw blues-rock, the daring energy of punk, and the immersive spaces of indie-electronics ambient, Mighty Jupiter & The Mooncake Band create something truly unique.

Photo by Julia Smolyaninova

Mighty Jupiter & The Mooncake Band is the musical project of Anton ‘Jupiter’ Marchenko, a multi-instrumentalist, songwriter, and producer who has brought a unique sound to the band. Thanks to the band’s mastering engineer, Natalie Bibby, they describe their style as Shoehaze. This sound, like a whimsical garden, fascinates with its unpredictability and mystery. The band’s debut album, released this year, is the result of a bold fusion of various musical styles.

Now that the overall spirit of the album is clear, let’s delve into the individual tracks. The album’s opening song, ‘The Lake’ envelops you in an atmosphere that is both haunting and mesmerizing. Mystical melodies intertwine with roaring guitars that stir the mind, while synthesizers soothe with their whispers. ‘The Lake’ feels like a mix of shoegaze, blues, and almost cosmic pads, so much all at once. There’s a stylish rawness to it, balanced with a polished elegance.

In the track ‘Renewal‘, the band introduces elements of indietronica, enriching the melody with pulsating rhythms and vibrant transitions. Garage drums captivate with their raw energy, striking hard and pulling you in.

‘Who Shot Ron Swanson? (In the Clear)‘ is, in my opinion, one of the most unusual tracks. The title itself intrigues with its subtle irony. Musically, the song balances on the edge between sharp punk influences and melodic guitar riffs. The vocal parts, accompanied by female backing vocals, sound soft, without excessive harshness. Among the unconventional elements, there’s only a touch of punk playfulness, but it blends organically and is used only where truly fitting.

The album is filled with an atmospheric echo, creating the illusion of being deep inside a cave where a mysterious ancient ritual is unfolding. While the sound remains modern, there’s a certain ethnic undertone present. This effect is particularly striking in the track ‘Thermal Waters.‘ Here, the leading roles are played by female vocals and sharp guitar parts, while the rich timbres of synthesizers add depth to the song.

Photo by Julia Smolyaninova

The band offers many tracks with psychedelic motifs, industrial rhythms, and energetic moments. For example, in ‘Fireworks,‘ the group decided to add dynamism to the album’s sound, radically shifting the record’s mood. The driving drums and sharp transitions in the arrangement keep you hooked on every moment of the track.

The energy of ‘Unfolded‘ feels like improvisation, but upon closer listening, you realize that everything is too well-thought-out and multi-layered. ‘Unfolded’ features intricate guitars, synthesizer and orchestral arrangements, as well as vocal harmonies, all polished with elegance.

And then comes the final track, ‘Burden Erased.‘ It smoothly enters the mix, where multi-layered synthesizers and guitars merge, creating the effect of waves crashing one after another. Calm, almost ethereal vocals add an element of mystery. The album’s finale is truly rich and impactful.

The album ‘Forced Fun For The Just OK Life Fun’ by Mighty Jupiter & The Mooncake Band can be called enchanting, sometimes contradictory, and alluring. Like a garden, it requires time to appreciate each winding path, each unexpected combination of colors and textures. It attracts with its sound architecture and the space in which one wants to linger.

Published in partnership with SubmitHub


MORE FROM VOXWAVE MAGAZINE


Contact

voxwavemag@gmail.com

© 2024 Voxwave Magazine. All rights reserved. By using the Voxwave Magazine website, you agree to the Privacy Policy and Terms of Use.
The material on this site may not be reproduced, distributed or otherwise used, except with the prior written permission of Voxwave Magazine.