Category: Album
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“Hardwarestore” by Tyler Ellis – About Simple Gestures and Deep Intimacy
As we predicted in April after the single “Union Song,” Tyler Ellis has returned with the full-length album “Hardwarestore”. If one were to find an exact image for Tyler, he is a “philosopher with a workbench.” A master of delicate truths, confidently holding both a pencil and the neck of an old Gibson. In his…
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Music of Close Contact: “Everything’s Fine” and Zoe Konez’s Sense of Presence
“We struggle with the riddles of thirty-year-olds like butterflies against glass,” once wrote F. Scott Fitzgerald, subtly noting the time when youthful decorations crumble, and new ones have not yet been built. Such a borderline state is a slightly awkward draft in a room where you suddenly understand: the life that you so diligently created…
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Roots Scattered Across the World: Jordi Forniés Gathers Them in Raíz y Recuerdo
In one of the shots of Andrei Tarkovsky’s film “Nostalgia,” the main character tries to carry a lit candle across the dried pool of Saint Catherine. The trembling, vulnerable flame that must be protected from the wind is a metaphor for longing for the homeland and a desperate attempt to preserve a living connection with…
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Six Thousand Hours Before Dawn – The Return of Scooter Scudieri
“Art is the extraction of order from chaos,” a philosopher once remarked, and he could hardly have imagined how precisely these words would sound in the digital age. Musical algorithms today stamp out a flawlessly sterile “content stream,” so the appearance of the album “The Musical Bruises of a Recovering Dreamer” against this backdrop looks…
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Synchronous Flight Over the Abyss: The Long-Awaited Longplay “Murmuration” by TRIPPY HEARTS
Gabriel García Márquez has a thought that still sounds sharp today: “Life is not only what one lived, but also what one remembers, and how one remembers it in order to tell it.” When the world around begins to resemble a fragile glass castle, ready to crumble from any sharp sound, art takes on the…
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Wolf at Home, Apocalypse in the Kitchen: Mike Stocksdale’s New Album “Connectors”
There’s a moment at live concerts: the musician pulls away from the microphone, looks out over the hall – and you realize he’s inside the story he’s singing. That’s exactly the feeling that stays with me while I listen to “Connectors” – the new album from Los Angeles singer-songwriter Mike Stocksdale. By the way, the…
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Uneasy Comfort and Moving Time: “Wash It Down” by Chico Detour
In the 50s and 60s music was a tangible matter. The middle of the last century left us not only the crackle of vinyl and faded Polaroid photos, but also a special aura of time – an anxious anticipation of change, wrapped in the packaging of impeccable style. Garage rock was in the gap between…
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Eleni Mandell and her “Tailspin”: Fourteen Ways to Start Over
In the first weeks of the lockdown, many suddenly discovered: silence is not at all the same as peace. Cities fell silent, streets emptied, and in this emptiness everyone was left alone with themselves – without the usual buffer of meetings, work, flights and exhausting running around that we call life. For some, this turned…
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Stepping Up to the Big Leagues: The Transference Define Their Sound on Hardstop Records
The Chicago band The Transference appeared on the indie scene in 2024 with the debut EP “100 Mirrors” – chamber, introspective, slightly cautious. That is what a first acquaintance is like: when you have not yet decided how much you can trust a stranger. Even then it was clear – the band know how to…
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A Beautiful Mess You Don’t Want to Clean Up: Fake Mannequin’s Debut – “Composed Reality”
I have a weakness for sensual music with a cinematic sound – and especially for the kind where dark electronics coexist with something special. It is exactly this combination that I heard in the debut album “Composed Reality” by the Danish duo Fake Mannequin. Behind the name stand two people with completely different biographies; at…