Author: Helena Lynch
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“Black Hills Ranger”: Heartfelt Americana from Jim Choukas-Bradley
They say America has no mythology of its own – only a history too young to grow into legend. But drive through the prairies of Dakota at sunset, hear the creak of a freight car somewhere along the tracks of the Pacific Northwest, or pull over on the shoulder of a highway and watch the…
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“Clouds & Silver Linings”: Martin & The New Songrise Begin Building a Catalog of Timeless Songs
“If I can feel your pain, your doubts, your happiness, your elation through themusic, it means I can feel you. And this can lead to reflection on my own life”, – says Danish musician and songcraft researcher Martin Høybye. Having written his first song at fourteen, and at seventeen setting off to the US to…
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“Love Me Like Your Ex”: CAMERON Refuses to Be Anyone’s Copy
Is it even worth staying with someone who compares you to a ghost from their past? The answer seems obvious – run. But in real life, of course, everything is more complicated: we put up with things, adapt, try to become a little “more similar,” just to hold on to someone’s attention. It was from…
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“Lenny’s No Longer Suffering”: Joanne Powell’s Musical Message
How do you say goodbye for the final time, especially when you know that a specific date has been chosen far in advance? Joanne Powell asks in a comment on Joanne Powell’s single. Many might think this is a line from a movie about love and loss. Here it is a real story: the song…
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Finding Yourself Before Others Define You: On SPURV’s Debut Album “The Invisible Body”
“Creativity is a way to find yourself before others finally define you.” In this thought, in my view, there is both romance and anxiety at the same time: the path to one’s own authenticity is rarely straightforward. More often, it passes through shame, loneliness, exhaustion, the desire to conform – through those states that are…
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Longboat’s Founder: “My Craft Thrives on the Random and Unexpected”
37 albums, a jazz background, a principled refusal of neural networks, and a sincere affection for rainy Great Britain – all of this is about the Longboat project. Originating in Seattle in 2011, the band has always gone beyond standard genres, easily transforming in the studio from a solo songwriter project into large-scale lineups with…
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Overheard Tenderness: Dolph Cane on the Single “Sunflower”
How do you manage to find a balance when you’re just twenty, with a guitar in your hands, dreams of performing on a big stage swirling in your mind, and at the same time carrying a small child whose entire life relies on you? Bringing up a child at a time when the industry is…
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Rising in Spite of It All: The Sound Anatomy of Anna Storm’s New Single
What is the first thing that comes to mind when you hear: “Still I rise”? For me personally, a very specific physical sensation arises: the moment when you’re already exhausted, your hands have dropped, and yet your body, by some stubborn reflex, reaches to stand up once more. A peculiar muscular memory of resistance that…
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Dance in the Street While It’s Burning: New Canadian Dark Rock from Awake & Dreaming
The word “inevitability” is built treacherously. In form it is a negation-“ne” plus “izbezhat’”, that is, “that which cannot be avoided.” When I hear “inevitability,” I automatically imagine an oncoming catastrophe, a diagnosis, a finale from which there is no salvation. The word seems to deprive one of the right to speak in advance: if…
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“We’re definitely four very disorderly musketeers!”- Suncharmer on Chaos, Music and Youth
When you meet a band formed by four teenagers on February 14th “because they had no romantic plans,” you immediately expect self-irony and drive from them. The British indie quartet Suncharmer – Paul Crisp, Josh Bryce, Dan Turtle and Mike Pocock – more than lives up to those expectations. Their music is a cinematic cocktail…