Author: Helena Lynch
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The Art of Being “Not Here”: Leaf House’s Indie World in One Track
We use certain phrases so often that we rarely give them special meaning, but in fact they can mean almost everything at once. “Not here” is one of those. It could be a rejection: “I’m not here for you.” It could be a diagnosis: “I’m physically present, but my thoughts are somewhere else.” Or it…
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“From Where We’re From”: ROYAL BLUSH Won’t Let You Relax
With second releases, bands often stumble-the spark fades, and ideas seem to run out. Listening to ROYAL BLUSH’s new EP “From Where We’re From”, that’s exactly what I was expecting. I was left waiting. Four tracks, three of which were already singles-yet together they sound like a cohesive statement. The guys from Jersey City joke…
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Piper Connolly Cancels the Apology: She’s Not Sorry
Being “too much” can be exhausting. Too loud, too jealous, too emotional, too noticeable-the list of other people’s grievances is longer than the coffee line in Los Angeles. But Piper Connolly seems to have decided to no longer cut herself down to a comfortable size. And rightly so: who even needs another perfectly edited person…
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How Little a Song Needs to Become a World: Freidrich$’s New Album
Freidrich$ was one of the few artists I discovered for myself over the past two years. I like his unconventional approach to creativity – a stubborn unwillingness to stay in one genre longer than needed to squeeze everything interesting out of it and move on. That’s why his new album “I Came Across” wasn’t a…
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Self-Irony Sounds Better than Self-Improvement: “Olew’r Olewydd” by Los Blancos
“You know, none of us really figured out how to live this life,” an exhausted movie hero will drop somewhere on screen one day, and we’ll just quietly nod along in the dark of the theater. Every other podcast teaches you to be productive 24/7, and social media pushes a cult of self-improvement – admitting…
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“WANNABE”: JORRE’s Boldest Side Yet
You often truly see a person not in moments of intimacy, but in a moment of disappointment. Familiar words seem rehearsed, gestures look like part of a role, and the relationship – like a set. At first, it feels like a blow to the gut. Then – like anger. And then, if you are lucky,…
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Previously Unheard, but Not Random: Allegra’s New “Unreleased EP”
Let’s admit it to each other: we all put off a lot of things, and listing them all is a pointless exercise – the list risks being endless. This applies not only to everyday life but also to quite specific fields. In music, for instance, a songwriter, having written a song, sometimes sets it aside…
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Loneliness for Two Voices: Toby Gad and JERUB’s New Single “Alone Tonight”
Loneliness is a tricky thing, but it reaches its peak when the calendar seems to order everyone to hug and celebrate. Outside the window, everyone is raising their glasses together – and at that moment your personal silence starts to sound deafening. This intonation, familiar to many, was captured by hitmaker Toby Gad and British-Nigerian…
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On the Right to Play God – and Why Matt DeAngelis Turns it Down
Raskolnikov once convinced himself that some people are allowed more than others – that they have the right to step over other lives in the name of their own truth. Dostoevsky wrote an entire novel to show the cost of that kind of self-belief: it’s the soul itself. A century and a half later, I…
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The First Step Is Up to the Listener: Son Tensei’s New Album
I put on “Virtual Island” by Christopher R. Kramer’s project Son Tensei, expecting nothing more than unobtrusive background noise for half an hour, but got hopelessly stuck on “Music I Need.” I got stuck on “Music I Need” longer than I planned: there is a line there sung as if a person is making excuses…