Philosophers say that music may be a secret code to unlocking the universe. But only those who heed its whisper can understand that behind this code lies a living essence, constantly changing its form like grains of sand in a stream. Inspired by this idea, Czech musician and sound artist Vojtech Vesely, known under the pseudonym De Moi, presents “Drifting Intervals “- an innovative technique in ambient music. This method explores the gradual merging of multiple musical intervals into a single ambient texture, creating the sensation of an ever-evolving harmonic structure. The “Drifting Intervals “technique creates an enchanted space, a magical talisman. This music does not remain static; it flows gently, forming harmonies that resonate beyond ordinary reality. But first, let’s get to know De Moi.
Vojtech Vesely was born in 1992 in South Moravia, a region known for its picturesque landscapes and rich cultural heritage. From an early age, he was passionate about music, constantly seeking new ways to express sound, drawing inspiration from various styles and traditions. Masters of jazz guitar, especially Chuck Loeb, set him on a path of experimentation. This led him to the avant-garde – La Monte Young’s minimalism, whose sustained drones created a sense of motionless movement. Later, he turned to Terry Riley and Robert Fripp, whose work with reverberation and tape delays revealed new ways of interacting with sound.
Vesely became fascinated by the idea of note decay and transformation, particularly in the works of Pauline Oliveros. However, the decisive moment came with his discovery of William Basinski’s Disintegration Loops. The philosophy of sonic decay revealed music to him as a living, ever-changing form rather than a fixed structure. Thus, his own project -“Drifting Intervals” -was born. And that is precisely what we will talk about.
In the album “Drifting Intervals“, released on March 11, 2025, Vesely presents 11 tracks in which he strives to make the listener feel the flow of sound through time, observing its transformations. He creates harmonies that drift through infinite space, gradually dissolving and rebirthing into new forms.
This approach reshapes the traditional perception of ambient music: sound becomes part of the surrounding world, and time – an almost imperceptible substance. The fading tape loops of the three compositions “Drifting Intervals I–III ” resemble the enchanting chants of ancient druids, where sounds emerge and dissolve, giving way to one another in an endless dance that transcends time. Deep reverberation – the echo of ancient forests and underground caves, where every sound lives its own life, reflecting off the invisible walls of a dream world. Vojtech models the effect of distant echoes in an imaginary, boundless space stretching for several kilometers.
In turn, in the compositions “Drifting Intervals IV–VII, “a harmonic evolution takes place – melodies cease to cling to form; they flow like a waterfall in the valley of dreams, carrying the listener into uncharted realms of sonic alchemy. The mix of tape effects and reverberation leads to the gradual dissolution of individual notes into a broader harmonic matrix.
On the tracks “Drifting Intervals VII–XI,” sounds become almost unrecognizable, creating an auditory reality that shifts depending on tone and texture. At certain moments, the compositions are enriched with new musical intervals that seamlessly blend into the primary drone context, absorbing it while preserving the sensation of endless motion.
De Moi’s album clearly illustrates the Drifting Intervals principle. It invites the listener to imagine how random notes, like colors on a canvas, gradually blend, forming new shades and creating a cohesive picture. The sound is more soothing than stimulating, guiding the listener into a state where everyday worries fade away, allowing for relaxation.
“Drifting Intervals ” is an excellent album for background listening, helping to create a pleasant atmosphere of inner balance. However, it is equally engaging when listened to attentively, provoking thought and reflection. Its calm and slightly melancholic tone offers a chance to detach from the outside world and turn inward, focusing on personal thoughts and emotions. “Drifting Intervals ” is a contemplative album – perfect for moments when one wants to escape from everyday reality and dissolve into sound.
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