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The Moon Pierrot of Sound: Fernando’s Eyes Opens His Heart on Debut Album “Center of Your World”


Continuing our exploration of the work of Fernando Honorato (Fernando’s Eyes), whose musical melancholy resonates like a heartfelt confession, we have more than once tried to capture the pulse of his inspiration. Today, however, we turn our attention to an event that can rightfully be called a new milestone in the artist’s career – the release of his debut solo album “Center of Your World“. This moment marks the beginning of a new chapter and reveals yet another facet of his musical talent to listeners. Fernando Honorato possesses a unique ability to draw in his audience with eclectic, intriguing, and authentic music. As a key figure in Principe Valiente, he gained widespread acclaim for his atmospheric compositions and massive vocals, which allowed the band to achieve international success and leave a significant mark on the post-punk and dark pop scenes. All of this comes into play in the context of his new solo album, “Center of Your World“, which promises to be a major event.

The musical integrity of “Center of Your World” reveals the influence of the artist’s early inspirations: the austerity of post-punk and cinematic mise-en-scènes. Yet all of this is seamlessly transformed into a new sound defined by the distinctive style of Fernando’s Eyes. The result is an audio film made up of ten carefully curated and refined tracks. The themes of the album reveal a subtle, gentle shift in focus from outward imagery to inner sensation. If in the past Fernando sang from the fog, painting silhouettes of cities and streets suspended in the glow of streetlights through sound, now he sings from the heart – open, somewhat vulnerable, yet retaining its dignity.

The album opens with the touching ballad “City Of Strangers “- delicate and unsettling. In it, Fernando’s vocals blossom in the half-light, taking on the subtlest shades – from a barely audible confession to an insistent crescendo. The intimate acoustic guitar introduction gently weaves itself into the dense sonic fabric of the composition. Soft percussion and shimmering synthesizers layer in, crafting a rich, multidimensional sound. What lends the song its special power is the drama of the performance.

It is worth noting that the album is marked by emotional intensity and expressive depth. This is especially evident in the psychologically intense track “The Fire Of The Night“: here, Fernando masterfully builds tension through subtle instrumental work and subdued, almost ghostly vocals that seem to emerge from the darkness, enhancing the sense of anxiety and inner instability. The single “Center Of Your World,” is a confession about the desire to be heard and to preserve a fragile connection. The music unfolds delicately, with an intonation reminiscent of a lullaby – but beneath it lies finely tuned emotional work. This gentle transparency is organically woven into the sonic fabric of another single, “A Million Times.” The main theme of the single floats in the wavering waters of electronics and introspection, creating a detached, dreamy backdrop. In both the instrumental and vocal delivery, there is a distinct play between emotional distance and inner closeness. This artistic device allows feelings to be revealed without being overt, only hinting at the inner world.

In many ways, despite its clear eclecticism, the album feels remarkably cohesive. Every song on the album is impeccably melodic – each one sounds like a carefully cut crystal, with every facet responsible for its own emotional glow. For example, in the calm and confident “Crystal,” melodies flow freely, following the natural rhythm of breathing, creating a three-dimensional soundscape. Harmonies support the vocal lines and enrich the atmosphere with vivid shades. Among the album’s tracks, one that particularly stands out, in my opinion, is “Lady In Black” – mesmerizing, almost with a waltz-like rhythm and a cinematic atmosphere. The tonalities give the song a dark, contemplative mood, and the harmonies are built on rich chords. It shows how carefully the artist works with form and sound, nothing is superfluous, and in that lies true strength.

Fans of bright and expressive guitar parts should pay attention to “To Hell With You – one of the most energetic tracks on the album. The final guitar groove, rich in character, is especially impressive. It sounds like an emotional outburst, with subtle shades of blues, post-grunge, and alternative rock. The parts are constructed with a precise sense of dramaturgy: from restrained tension to a powerful conclusion. It’s impossible to overlook “Live To Tell”, the final track and arguably the most expansive on the album. The length of five minutes fifty-eight seconds is fully justified here, as the track serves as a full-fledged climax where all the key musical and emotional threads of the album converge. “Live To Tell” is a musical essay: dynamic, evolving, with an open ending.The finale stands as the most mature and eloquent part of the album that lingers, leaves an aftertaste, and gives ample room for reflection.

The album “Center of Your World” is a monodrama in which I envisioned Fernando’s Eyes as the Moon Pierrot, a dreamy, vulnerable figure filled with noble sorrow. Like Pierrot, who hides a whole universe of feelings beneath his white makeup, Fernando’s Eyes fills his songs with emotional half-tones, whispers of hope, and echoes of loss. The music of Fernando’s Eyes, for all its cinematic refinement, is deeply sincere. The artist presents a dramaturgically structured inner theatre, where tenderness coexists with anxiety, and loneliness finds its voice. Like the Moon Pierrot, Fernando’s Eyes transforms personal suffering into art, while preserving dignity, style, and mystery.


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