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‘The Grind’ by Saint Micah: a Visual Story of Personal Transformation
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“THINKING BOUT ME”: a Playful Reflection on Memories from Matt Hansen
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IurisEkero: Music of the Past and Technologies of the Future in “Fine By Me”
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Tamar Kaprelian’s Rules of the Game: “I’m less Interested in Being Impressive and More Interested in Being Truthful”
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Oxygen1um – on Music Without Borders, War, and the Search for Self: “Every Song has a Piece of Me in it”
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“Quality is the Unifying Force” – Matterform’s Cosmic Acid Jazz Lands on Earth
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HOT NEWS
‘The Grind’ by Saint Micah: a Visual Story of Personal Transformation
Pop artist and virtuoso pianist Saint Micah (formerly Micah McLaurin) has released the official music video for his dance single “The Grind,” directed by visual…
top news
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Virtuosic Slide Guitar and Living Blues: “One of a Kind”, the New Track from Fernando Noronha
Fernando Noronha is a Brazilian guitarist, vocalist, and songwriter who has been delighting audiences around the world…
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Dannay Invites you to Slow Down: Emotional Boundaries and Soft R&B in “I’m not Ready”
Dannay has released a new track, “I’m not Ready” – a soft, atmospheric R&B piece for late…
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Scars, Synths, and Tube Amps: Loversteeth’s Living Fury on Floral Violence
“You don’t need to look far into our band’s history to know that we’ve always made an…
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Tamar Kaprelian’s Rules of the Game: “I’m less Interested in Being Impressive and More Interested in Being Truthful”
If you’ve heard “SNAP” – and you definitely have – know this: behind that hit stands a…
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Stevie Palmer on Writing “Here We Go”: “Everything Seemed to Roll Together Naturally”
Stevie Palmer is one of Scotland’s most celebrated singer-songwriters – audiences sing along from the very first…
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Oxygen1um – on Music Without Borders, War, and the Search for Self: “Every Song has a Piece of Me in it”
An anti-war song that would have had no place in Russia has received international recognition – and…
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“Pamela” by Folkless: Sun, Guitars, and a Bit of Drama
With the track “Pamela,” the band Folkless releases its sunniest…
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Inherited or Learned Depravity: A Musical Essay by Stephanie Babirak
A tree is known by its fruit. Hidden within this…
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After the Silence: Federal Lights Return with “Celebration of Failure”
“You cannot step into the same river twice,” said Heraclitus.…
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“Close” by néomí: When Emotions Hold Stronger than Reason
Dutch-Surinamese singer and songwriter néomí presents her new single “Close”…
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Music for Open Windows: the Aesthetic of i give my friends flowers
The project i give my friends flowers is a gentle…
voxwave magazine
latest ALBUMS
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Scars, Synths, and Tube Amps: Loversteeth’s Living Fury on Floral Violence
“You don’t need to look far into our band’s history to know that we’ve always made an…
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Inherited or Learned Depravity: A Musical Essay by Stephanie Babirak
A tree is known by its fruit. Hidden within this ancient Biblical metaphor is an existential trap:…
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Matterform: Four Years of Live Shows – One Long-Awaited Album
Miles Davis once said: “Play not what you can play, but what you hear.” The phrase is…
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After the Silence: Federal Lights Return with “Celebration of Failure”
“You cannot step into the same river twice,” said Heraclitus. But you can step into another-and find…
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“Hardwarestore” by Tyler Ellis – About Simple Gestures and Deep Intimacy
As we predicted in April after the single “Union Song,” Tyler Ellis has returned with the full-length…
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27 Languages, One Voice: The Universe of Shu Lee’s “Octopus Fox”
In Malay culture there is the concept of “merantau” – a tradition in which a young man…
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