-
Tamar Kaprelian’s Rules of the Game: “I’m less Interested in Being Impressive and More Interested in Being Truthful”
-
Oxygen1um – on Music Without Borders, War, and the Search for Self: “Every Song has a Piece of Me in it”
-
“Quality is the Unifying Force” – Matterform’s Cosmic Acid Jazz Lands on Earth
-
Retro-Pop with Attitude: Olivia Hellman’s Personal Story in “Prove It!”
-
Norwegian Soul with a Brazilian Pulse: “Beautiful – Eloah Blú Remix”
-
“Bus to Nowhere”: Marta Valadon’s Jazzy Night Stroll
-
HOT NEWS
Tamar Kaprelian’s Rules of the Game: “I’m less Interested in Being Impressive and More Interested in Being Truthful”
If you’ve heard “SNAP” – and you definitely have – know this: behind that hit stands a woman the industry once wrote off. Tamar Kaprelian…
-
Stevie Palmer on Writing “Here We Go”: “Everything Seemed to Roll Together Naturally”
-
Oxygen1um – on Music Without Borders, War, and the Search for Self: “Every Song has a Piece of Me in it”
-
“Quality is the Unifying Force” – Matterform’s Cosmic Acid Jazz Lands on Earth
-
“Pamela” by Folkless: Sun, Guitars, and a Bit of Drama
top news
-
Inherited or Learned Depravity: A Musical Essay by Stephanie Babirak
A tree is known by its fruit. Hidden within this ancient Biblical metaphor is an existential trap:…
-
Norwegian Soul with a Brazilian Pulse: “Beautiful – Eloah Blú Remix”
“Every person has their own climate, which they carry with them,” Mark Twain once remarked. And if…
-
“Bus to Nowhere”: Marta Valadon’s Jazzy Night Stroll
Marta Valadon is a violinist and songwriter with a strong sense of freedom, who began her journey…
-
The New Single by Johnny Lloyd Explores the Boundaries of Love and Disappointment
British songwriter, composer and frontman of TRIBES Johnny Lloyd continues a new chapter in the history of…
-
The Luxury of Not Rushing Anywhere: “Wild Life” by Scott James and an Escape to the Forest of Dean
“Man needs only a very little piece of land to live, but he needs the whole sky…
-
Matterform: Four Years of Live Shows – One Long-Awaited Album
Miles Davis once said: “Play not what you can play, but what you hear.” The phrase is…
-
Music for Open Windows: the Aesthetic of i give my friends flowers
The project i give my friends flowers is a gentle…
-
Closed Chapters of the Heart: Summer Rosee and Her New Track ‘Closed Chapters’
“Closed Chapters” is an emotional indie-pop track by Australian artist…
-
Transition Into the Unknown: a New Atmospheric Release by Jenny Kravitz
Jenny Kravitz – a singer, songwriter, model, and actress from…
-
Carbon City Lights: Familiar Places from a New Perspective in the Single “In My Head”
Carbon City Lights is an indie-alternative rock band from San…
-
“The Nile”: Dalinda’s Acoustic Marvel, Bridging East and West
“He who drinks the water of the Nile will surely…
voxwave magazine
latest ALBUMS
-
Inherited or Learned Depravity: A Musical Essay by Stephanie Babirak
A tree is known by its fruit. Hidden within this ancient Biblical metaphor is an existential trap:…
-
Matterform: Four Years of Live Shows – One Long-Awaited Album
Miles Davis once said: “Play not what you can play, but what you hear.” The phrase is…
-
After the Silence: Federal Lights Return with “Celebration of Failure”
“You cannot step into the same river twice,” said Heraclitus. But you can step into another-and find…
-
“Hardwarestore” by Tyler Ellis – About Simple Gestures and Deep Intimacy
As we predicted in April after the single “Union Song,” Tyler Ellis has returned with the full-length…
-
27 Languages, One Voice: The Universe of Shu Lee’s “Octopus Fox”
In Malay culture there is the concept of “merantau” – a tradition in which a young man…
-
Music of Close Contact: “Everything’s Fine” and Zoe Konez’s Sense of Presence
“We struggle with the riddles of thirty-year-olds like butterflies against glass,” once wrote F. Scott Fitzgerald, subtly…
NEWS
Voxwave Magazine: Music, Culture, Interview, Fashion 