-
IurisEkero: Music of the Past and Technologies of the Future in “Fine By Me”
-
Tamar Kaprelian’s Rules of the Game: “I’m less Interested in Being Impressive and More Interested in Being Truthful”
-
Oxygen1um – on Music Without Borders, War, and the Search for Self: “Every Song has a Piece of Me in it”
-
“Quality is the Unifying Force” – Matterform’s Cosmic Acid Jazz Lands on Earth
-
Retro-Pop with Attitude: Olivia Hellman’s Personal Story in “Prove It!”
-
Norwegian Soul with a Brazilian Pulse: “Beautiful – Eloah Blú Remix”
-
HOT NEWS
Indie Rock at Dawn: Lowell’s New Release “July”
“July” is an upbeat indie rock track by Lowell that captures one of the most contradictory feelings in modern love: arguing with someone you care…
-
Virtuosic Slide Guitar and Living Blues: “One of a Kind”, the New Track from Fernando Noronha
-
Scars, Synths, and Tube Amps: Loversteeth’s Living Fury on Floral Violence
-
Tamar Kaprelian’s Rules of the Game: “I’m less Interested in Being Impressive and More Interested in Being Truthful”
-
Stevie Palmer on Writing “Here We Go”: “Everything Seemed to Roll Together Naturally”
top news
-
Oxygen1um – on Music Without Borders, War, and the Search for Self: “Every Song has a Piece of Me in it”
An anti-war song that would have had no place in Russia has received international recognition – and…
-
“Quality is the Unifying Force” – Matterform’s Cosmic Acid Jazz Lands on Earth
Four years of gigs along the Ventura and Santa Barbara coastline – and a long-awaited record. Acid…
-
Amélie Giardini’s Debut: Labyrinths of Consciousness in “Sombre Maze”
London-based Franco-Australian singer and songwriter Amélie Giardini presents her debut single “Sombre Maze.” It explores the feeling…
-
“Pamela” by Folkless: Sun, Guitars, and a Bit of Drama
With the track “Pamela,” the band Folkless releases its sunniest and most summer-like song to date. The…
-
Retro-Pop with Attitude: Olivia Hellman’s Personal Story in “Prove It!”
Olivia Hellman is an Asian-American singer and songwriter who believes that in order to grow as an…
-
Anarchy Within: King Black Acid’s New Track About Breaking Away from the System
King Black Acid is a fluid musical collective built around ideas and a sonic aesthetic curated by…
-
After the Silence: Federal Lights Return with “Celebration of Failure”
“You cannot step into the same river twice,” said Heraclitus.…
-
“Close” by néomí: When Emotions Hold Stronger than Reason
Dutch-Surinamese singer and songwriter néomí presents her new single “Close”…
-
Music for Open Windows: the Aesthetic of i give my friends flowers
The project i give my friends flowers is a gentle…
-
Closed Chapters of the Heart: Summer Rosee and Her New Track ‘Closed Chapters’
“Closed Chapters” is an emotional indie-pop track by Australian artist…
-
Transition Into the Unknown: a New Atmospheric Release by Jenny Kravitz
Jenny Kravitz – a singer, songwriter, model, and actress from…
voxwave magazine
latest ALBUMS
-
Scars, Synths, and Tube Amps: Loversteeth’s Living Fury on Floral Violence
“You don’t need to look far into our band’s history to know that we’ve always made an…
-
Inherited or Learned Depravity: A Musical Essay by Stephanie Babirak
A tree is known by its fruit. Hidden within this ancient Biblical metaphor is an existential trap:…
-
Matterform: Four Years of Live Shows – One Long-Awaited Album
Miles Davis once said: “Play not what you can play, but what you hear.” The phrase is…
-
After the Silence: Federal Lights Return with “Celebration of Failure”
“You cannot step into the same river twice,” said Heraclitus. But you can step into another-and find…
-
“Hardwarestore” by Tyler Ellis – About Simple Gestures and Deep Intimacy
As we predicted in April after the single “Union Song,” Tyler Ellis has returned with the full-length…
-
27 Languages, One Voice: The Universe of Shu Lee’s “Octopus Fox”
In Malay culture there is the concept of “merantau” – a tradition in which a young man…
NEWS
Voxwave Magazine: Music, Culture, Interview, Fashion 